Chen Zhen started Huawei’s three-fold screen, and netizens said the creases were obvious: I angrily scolded as long as the folding screen was available

Fast Technology September 16th news, recently, car critic blogger Chen Zhen ("Chen Zhen classmate") received the Huawei Mate XT extraordinary master three folding screen mobile phone evaluation sample, the hands-on experience is also attracted many netizens onlookers, after all, the product topic is very high.

In Chen Zhen’s hands-on experience, there are some places that have also caused heated discussions among netizens, such as the folding in Mate XT, and some netizens complain that this is in the black Huawei.

Chen Zhen was also very speechless about this comment and responded.

"Regarding the crease problem, any folding screen phone can see the crease as long as you look at the light source with reflected light, but when you look at the content on the screen, the creases of the folding screen phones I have come into contact with are almost invisible." Chen Zhen said.

Some netizens also lamented that it was certain that the folding screen had creases. No manufacturer could currently achieve the so-called no creases, and only those who did it shallower.

"The other is Huawei’s three folds. The creases in the outer folding area will be more obvious than the inner folding area. This is due to physical reasons. If you have to say that there are no creases, it is estimated that physics does not exist. In addition, those who really use folding screens don’t care about creases."

How do you feel about this?

Chen Zhen started Huawei's three-fold screen, and netizens said the creases were obvious: I angrily scolded as long as the folding screen was available

The premiere of "The Whole City Alert", Guo Fucheng is not afraid of death and has no guard against love

Zhang Jingchu was "shown love" by Wu Jing at the scene, saying that the audience should laugh

        In "The Whole City Alert", Zhang Jingchu and Wu Jing play a couple. In the play, the two call each other "old man" and "old lady". However, at the previous movie viewing, every line between Wu Jing and Zhang Jingchu will cause laughter from the audience. When questioned, Zhang Jingchu responded that the love drama between the two is easy, and the laughing scene may also be appropriate. Although Wu Jing said that he had not seen the whole film, he praised Zhang Jingchu, "Her role in the play is the image of the perfect wife in my mind, which is very good." But in life, Wu Jing said that Zhang Jingchu’s schedule was too full, and he didn’t have time to interact too much, and he looked regretful.

        At the premiere, Wu Jing also specially prepared a gift for Zhang Jingchu, "There are mosquitoes in summer, I will give you mosquito repellent water to prevent heatstroke, Huoxiang Zhengqi water, if you are thirsty, drink mineral water!" The packaging of these three kinds of water also had the words "I Love You" written on it, so "thoughtful" made Zhang Jingchu very embarrassed, and also gave him the dipping water he prepared. Wu Jing, who received the gift, was overjoyed, "I saw it, and this package also has’ILove You ‘on it, which makes my heart flutter." Saying that, Wu Jing also made a knee kneel, but was helpless to be interrupted. When interviewed by the media, Zhang Jingchu also "complained" about Wu Jing, "Why didn’t you kneel down just now, then I would really marry you!" Wu Jing asked in disbelief: "Really?" Zhang Jingchu refused to answer clearly.
 

Peng Yuyan: After filming "Emergency Rescue", I don’t want to swim anymore

  The film "Emergency Rescue" is the fourth collaboration between Lin Chaoxian and Peng Yuyan. In each previous collaboration, the two continued to challenge the limit with each other’s support. When the two first collaborated on "Guild Wars", Peng Yuyan received professional boxer training and spent three months learning Muay Thai, lock skills and Brazilian Jiu Jitsu. During the shooting, he played against professional boxers in the hope of "convincing the audience". During the second collaboration "Breaking Wind", Peng Yuyan participated in the training for four months. During the training and shooting process, he cycled more than 110,000 kilometers and circled the earth almost three times. For the third time, Lin Chaoxian and Peng Yuyan’s challenge once again rose to a new height. During filming, Lin Chaoxian was even accidentally bitten by a six-inch centipede on his ankle. Peng Yuyan was in real combat, and every action command was close to the truth. This time in "Emergency Rescue", they will challenge the "water drama" that is recognized as difficult to shoot around the world. "Emergency Rescue" is the first maritime rescue film in a Chinese film. It is based on a real maritime rescue incident. Peng Yuyan said that the director has changed from "Devil Forest" and "Exploding Forest" to "Water Monster Forest".

  The director came to shoot as soon as he came to me

  Q: Why did you take on the role of "Emergency Rescue"? The filming conditions were very difficult. What were your mental preparations before taking on the role?

  Peng Yuyan: Director Lin Chaoxian came to me as soon as he found me. I know that filming a director’s play will be particularly interesting and enjoyable, and of course there will be certain challenges and difficulties. This is also the reason why I want to shoot a director’s play, so I have already prepared it, but I didn’t expect that the preparation this time was not enough. When I arrived at the scene (8 months of shooting), the difficulty level was upgraded every day, which was very challenging. Physical and mental surprises were unprecedented.

  Q: You are playing the captain of the maritime secret service. How much do you know about the real rescue team?

  Peng Yuyan: My name is Gao Qian in the play. He is the captain of the maritime secret service team. He is a person with great courage, experience, and a strong sense of responsibility. He has performed many tasks and saved many people.

  Before we started filming, the director showed us some information about the rescue team members, so we will understand their lives and train with them. We are like friends. They look like ordinary people, but when they receive the mission, they look completely different. Once they went on a mission, I followed them. You can’t imagine these ordinary people hanging from the helicopter, you will feel like they are in another world. As rescue team members, they need to be extra focused to save another life, because sometimes, you have to give up something to save other people’s lives. In the water, you only have three or five minutes, and you can only save two people, but there are twenty or thirty people around, so what should you do? This is what they have to face. They have to face human tragedies every day when they go to work, and when they return home, they have to be a normal person. If they don’t have faith, they will definitely not be able to do it. This is what the director wants to talk about in this play. We have also experienced it firsthand before realizing how amazing they are.

  The salvage team members gave the "hope of life" to others. They faced the tragedy of life. Without faith and a firm heart, they would not be able to meet and complete the task.

  Q. Did you find it challenging to play your father for the first time in Emergency Rescue?

  Peng Yuyan: I think it is very difficult for the director to give me this role. The director is very interesting. He knows that I am a single parent family, so playing a father, I have to spend a lot of time convincing myself that there is no father image in my life. Thank you very much to the director for giving me this role. The actor who plays my son is very smart and cute, and it is natural and great to act with him, because the child is very real, he will memorize the lines very well, and it is very natural when acting. When acting with him, I also hope to maintain this innocence and naturalness. The director and screenwriter did a lot of homework in advance to understand the lives of the rescue team members. Family is also very important to the rescue team members, which should be an important reason for them to be so brave and responsible to give. Maybe everyone thinks this is an action movie, but I think it’s actually a drama full of love.

  Been abused in various ways,

  Be mentally prepared every time you go into the water

  Q: What scenes did you remember most from this shoot?

  Peng Yuyan: There are many scenes that I have the deepest impression of, and usually the first time is the most unforgettable. Like the first time I was blown up by fire, I was blown up in a fire at 600 or 700 degrees Celsius, and I fried several times. I thought it was all right, but I was about to be blown up by water later. After the explosion, the director was very excited and said, "Eddie was finally blown up by me with water." I didn’t know that water could be used to blow people up before, but after the explosion, I was hoisted into the air for a day, and I was about to vomit. But it was also quite enjoyable, because the real shooting was hung from a helicopter at a very high altitude, so it was also very memorable. He thought that it would be fine, then he would use fire to flood, and then he would use water to flood, so this time it was a variety of experiences, basically all kinds of "abuse". This is the director’s style, he just likes to "abuse" artists. But in fact, actors can get a lot of nutrients in this process, which is also what makes us fall in love with the director, so that we can make a very unforgettable play.

  Q: Are the safety measures in place for Emergency Rescue this time?

  Peng Yuyan: Yes, of course, there is still a case. Although I have tried the thermal insulation clothes, the minimum fire is 300 degrees Celsius, and my whole fireproof clothes are on fire, but this is the feeling of shooting. Although I am fully armed, I am still afraid, and I can still feel my skin burning. If I shoot like this every day, I am still afraid of being suspended every day, and finally go into the water, the water temperature is 6 degrees Celsius. I didn’t think I could survive it. It’s really cold.

  I consider myself to be the kind of actor that I am not afraid of as long as I am given the conditions to do it, but for this drama, I really have to prepare myself every day before going into the water because the water is too cold and there are chemicals in the water. There are a lot of scenes in which I need to take off my equipment. Without goggles, the chemicals will get into my eyes and my eyes will not open. Those photographers wear goggles when they go into the water. Take off the goggles and the water will get into my eyes. I can’t stand it and wash them all the time. And I soak for more than ten hours a day, maybe 15 minutes each time, because it is too cold. I have to wash my eyes every day, and in the end my eyes will keep watering and my eyes will be red. The director also feels distressed, so he will also go down with me. After filming this drama, I still don’t want to swim, and I feel that the quota for touching water this year has been exhausted.

  Q: No serious injuries this time, right?

  Peng Yuyan: I have drowned a few times, and one particularly impressive one was being hooked by Weiya in Mexico and then pressed under the bottom of the pool. Everyone was scared, and I couldn’t get out. I found the Weiya card that tied me in the base of the truck, and the rescue team hadn’t come to rescue me yet. I thought I would save myself first, so I looked for any tools on my body to cut the rope, but I couldn’t cut it. Later, I found the hook point and untied the rope desperately, and then came out. The director kept saying "It’s alright, it’s alright". I said to take a break, because the rope was very tight and couldn’t be pulled, so I pulled it desperately. My nails were all lifted, and my hands were cracked. The director was scared. This was the most terrifying thing.

  Another time was also in the water. My oxygen cylinder was about to run out of air, and the spare gas cylinder could only take eight breaths. The deeper the water pressure, the more I sucked in. I had to save these eight breaths every time. Later, I took a very long shot. The rescue team had to retreat far away. When I was about to swim back, my oxygen cylinder was out of gas, and I couldn’t find a spare gas cylinder. I held my breath to find an exit. This situation often happens. I always think I can swim well, but when you are really more than ten meters underwater, it is completely different from you in the swimming pool, and we are carrying a lot of lead blocks, so I can’t float up. With the water temperature of 6 ° C, it feels like I am in the freezer.

  Now that I think back to filming the water scene, I will be afraid. I remember that after filming those scenes, we went to dinner, and the local Mexican staff would take the initiative to greet me and praise me. Friends of our rescue team told me that the local rescue workers felt that this was not something that ordinary people could bear. Many people couldn’t believe that we Chinese actors went to shoot by ourselves, and foreign films went to that scene, and they were all stuntmen.

  Q: Are the things you save yourself in the water the methods you learned before filming?

  Peng Yuyan: Yes, basically. All the training was used during filming. If we hadn’t trained well in advance, we might not have dared to shoot this scene. We followed the real rescue team to go outside to rescue. The rescue process was very hard. We really experienced the fragility of life, and there was no way to imagine the power of nature. It was really scary. After filming this movie, I feel that we must cherish life.

  Q: Apart from feeling the fragility of life, what other impact did the film have on you?

  Peng Yuyan: Now if I take a plane, I read the rescue manual, see where the escape pod is, see the people nearby, and if something really happens, who needs help. I didn’t before, but now it becomes instinctive, and then I imagine the situation of filming at that time. I count a few elderly people, and a few are in wheelchairs. These are all things I realized after filming the movie. I can’t help but feel exaggerated. When I talk about the escape pod, I think of the past 8 months of training and the horror of saving people in the plane. I keep telling myself that if something really happened today, I could save people.

  And director Lin Chaoxian are also teachers and friends

  Q: This is your fourth collaboration with director Lin Chaoxian. Do you feel that his films are getting more and more difficult?

  Peng Yuyan: If the difficulty hadn’t increased, I don’t think Lin Chaoxian would have been the director. Since I met the director, I think the most amazing thing about him is that he has not changed what he likes. He is persistent about what he likes, so when the director makes a movie with such enthusiasm, you will be infected, and then you will also think, why not do it?

  He is very good every time, and I believe he will only get better and better. This time there are many scenes that he wants to shoot, and there are also many action scenes and emotional scenes. He has to write the characters and then go to the scene to schedule. This is what he has always loved, so I think the director is very good. And the director is more and more challenging, because every time he shoots something new, just like this underwater shot, we have never experienced it before, many of them are unknown. Only when we go to the scene to shoot can we follow the camera to the scene. After training, we have to rehearse before shooting. It is conceivable that many live situations are actually difficult to execute. We are all learning, and the director will give me a lot of confidence.

  Q: Is there anything that makes director Lin Chaoxian different from other directors you have worked with?

  Peng Yuyan: I think it’s fate. He appreciates me very much, and I respect him very much. Very few actors can work with the same director four times, so it’s rare. And to some extent, there is also a problem of habit. Many times, you can omit some running-in things, which is a bit like "family". I have experienced four different lives in 7 years, and these four lives are not something that ordinary people can experience.

  Q. Do you agree with the saying "Peng Yuyan who is made of iron, Lin Chaoxian who is made of iron"?

  Peng Yuyan: I have heard it (one of the leading actors with the most cooperation times, second only to Zhang Jiahui). When I heard this sentence before, I felt that our emotions were underestimated, as if it were only tempering, but after "Emergency Rescue", I felt that it was too accurate.

  Because I think "Emergency Relief" is really like "grinding" and very dangerous, I have been in the mindset of giving it all up several times. If the director wasn’t Lin Chaoxian, I would definitely have doubts. In fact, when I finished filming "Operation Mekong", the director told me about this drama. At that time, I really wanted to shoot, but I felt that I needed to take a break. The director happened to have another drama at that time, so I took a break for a while.

  I didn’t take this play because it was dangerous, but because of the subject matter and the character. The director gave me this role this time. It was much more difficult than what I had played in the past, and it was quite different from my past image. (Difficulty) Mainly in terms of emotion, I played a father, and the other was the difficulty of this profession.

  The relationship between me and the director is more like a mentor-apprentice relationship. It is natural for the director to shoot a man’s drama and talk about the emotions between men. The director has a pretty good pattern in dealing with this very real human nature. He sees a lot of things and is very real, so I think acting in his play is an immersive experience to some extent. From MMA fighting to cycling to "Emergency Rescue", I don’t need to think about how I want to act, just experience it.

  So I think the director and I are also teachers and friends. He thinks I should shoot whatever I should shoot at my age, so he asks me to shoot. If I haven’t reached that stage, then maybe the drama at that stage is not suitable for me. He hopes that I can grow up slowly, and to some extent, I can understand what he wants to pursue. There is a tacit understanding (mutual admiration) between each other, and I will feel that there is such a person in the film industry, which is a kind of existence that will be infected by each other. Needless to say, from what he wants to do, you can see it, so he becomes very compatible. I quite admire the director.

  From the first time we worked together on "Guild Wars" to the present, the director and I have not changed. Luckily, I never thought that after filming "Guild Wars", I would be able to cooperate with the director so much in the future, and he may not have thought that Peng Yuyan, an actor, could still be used. The director also gives me a new thing every year or two, so I also think I am quite lucky. The director did a very good job in his field of work, and I also tried my best to play every role during my studies.

  We will cherish the opportunity to cooperate with each other

  Q: Have you ever had any conflicts or disagreements with the director?

  Peng Yuyan: There will definitely be some, maybe I have some ideas on some performances, and the director also knows that I must give the actor space. On this basis, I try my best to surprise him. He may feel that the role I created is more three-dimensional than he imagined in his mind, and the director will feel that it is worth it. I have also passed the addiction I want to play, so I must believe in each other.

  A person’s ideas are limited, and we may be infinite together. When you are willing to share your things, he will definitely share his things with you. My disagreement with the director is often that he may think enough is enough, and I want to give more. He will let me act and make me enjoy it. I think one of the advantages of filming with a director is that what he sees is always different from what others see me.

  Q: If there is a fifth opportunity to work with a director, do you have a subject that you would like to film?

  Peng Yuyan: In fact, we have talked about too many topics. Every time we run and chat, we will think of a theme. He will ask me what I like, and I will also ask him what he likes. Before we discussed a lot of things like racing, action, and gunfight. Usually, the director said he wanted to shoot, but I have no restrictions on his movies because I believe him.

  Q: Are you worried that directors will have more and more choices for actors in the future?

  Peng Yuyan: This is possible. The director has the right to choose the actors he thinks are suitable. It doesn’t mean that we must cooperate on the fifth film after cooperating on four films now, so this is very delicate. Also, I also have a choice whether to continue to cooperate with him. I think sometimes it is the magnetic field between each other. We can give each other what each other wants. We all know that this is not easy to come by. So when shooting every play, I try my best to make myself not regret it, because this is the only thing I can control. Do the best within the scope of our control, and I will gain experience and wisdom in the process, which is worth it.

  Text/Photo by Xiao You/Tian Tian

Exclusive interview with Shu Qi: drinking, acting, drinking, crazy, breaking up and not eating back grass

Introduction:Dressed in a meat pink dress that day, she jumped into the interview room and saw that the author was moving the chair, and the person wearing big high heels rushed over to help move it together in person, without the slightest bit of celebrity air. Then Shu Qi accepted an exclusive interview with [Movie Network], she often danced, just like a little girl who had not grown up. (Photo/Yang Nan, Text/Yang Yaru)

Exclusive interview with Liu Weiqiang: I want to move the audience and convey a spirit

Shu Qi drinks real wine and acts "Drunk Crazy" Hysteria, heart attack  

    In the movie, Shu Qi plays a Hong Kong girl who has a difficult fate and goes north to search for gold. She has changed her previous reserved and restrained performance mode to become a hysterical and yelling crazy woman. Shu Qi said that in order to perform realistically and naturally, she often drinks real wine and goes "crazy". This "crazy" performance style was once too much for her, and Shu Qi frowned and said that she almost had a heart attack because of it.

    Movie Network: Did you cooperate with the director again this time because he was moved by the script?

    Shu Qi:To be honest, I wasn’t moved by the script at the time, but when the director told me the story, I was moved. Because when I was in Liu Weiqiang’s movies, he came to me and told me stories, and then I was okay.

    Movie Network: In the past, we saw that Shu Qi’s performances were relatively subtle. This time, he often yelled hysterically. Why did he make such a change?

    Shu Qi:Liu Weiqiang asked for it (laughs)! Because he wants to achieve that outgoing mood, (my character) is also a Hong Kong woman. Hong Kong girls are relatively tough and strong, and they will not ask others for anything. They can arrange everything by themselves. But when she is drunk, she will lose her mind, so the whole person will "bang" vent, so she cries and makes trouble, and everything she does is to vent for her usual life.

    Movie Network: It is said that you often drank alcohol while filming this drama. Is it because you can’t rely solely on acting to achieve the effect?

    Shu Qi:No. Because drinkers have a drunken state, they have a drunken form, which is different from when we are sober. Like when I wear high heels when I am sober, I will be very careful and try not to limp myself, but when I am drunk, I don’t know when I am limp. If I act when I am sober, I will know that I have to limp when I walk here. This is not real, so I will drink two glasses. Then all your body and emotions are combined to make a real drunk woman crazy.

     Movie Network: How does it feel to film hysterically?

    Shu Qi:Tired, really tired. I feel that being angry is a very tiring thing in itself. I had a scene where my face was red and my neck was thick. The radio said that he could hear my heartbeat. I felt like I was going to have a heart attack at that time.

    Movie Network: The characters in the movie are all relatively dramatic. Do you have that feeling?

    Shu Qi:I don’t think this movie is dramatic. For example, you will have sick parents in your body, or you will be wandering around at work, or you will be cheated of money, or you have a younger brother who can’t work, and the whole family needs you to support it. In fact, this movie is taking a realistic route. I also asked the director before, how could it be possible for a girl’s parents to kick her out and live on their own, but the character was still kicked out after paying for the house. But the director said that there is such a thing in Hong Kong, and then someone raised his hand silently. The movie may sometimes reflect the reality of society or be dark, so that everyone can understand.

Never eat back grass in life Two people must have love in their hearts together


    "If I decide to leave this man in real life, I will definitely not come back!" Shu Qi said that unlike her role in the movie, her personality is even more stubborn, and once she breaks up, she will never go back. For love, Shu Qi has her own unique understanding. She feels that if two people want to be together, no matter what happens, they will keep that love in their hearts.

    Movie Network: You play the role of Peiru began to give up, but finally went back to find, real life will you eat back grass?

    Shu Qi:In real life, if I meet Fang Zhendong (Liu Ye), I probably won’t leave. I will definitely choose to be with him and live with him. But if I decide to leave this man in real life, I will definitely not come back.

    Movie Network: You have a monologue in the film, "People always want to have a lot of choices around them, and sometimes they get lost, and they are not sure which one is the right one…" Do you have this feeling in real life?

    Shu Qi:I think many people are like this, seeking direction in love.

    Movie Network: Do you yearn for the kind of love that never leaves in the movie?

    Shu Qi:We held a charity conference in Hong Kong two days ago. When I first saw the "father of optical fiber" Kao Kun (a brain degenerative patient) and his wife, I was very touched. His wife was very gentle, attentive and caring to him, and all her actions were full of love. So when the two of us are together, no matter what happens, we must keep love in our hearts.

    Movie Network: In real life, would you write love letters like a character in a play?

    Shu Qi:I don’t think it’s necessarily a love letter, but I will write a card on my good friend’s birthday. If you keep it, it will taste very good. Instead of opening the computer and seeing it, it feels cold. When I was a child, I often wrote letters, diaries, and cards. I also wrote cards to give.

Joking andPeng Yuyantie the knot The new film will challenge perverted women

    As one of them, Shu Qi’s relationship has not been settled. A few days ago, there were rumors that she was in love with Peng Yuyan, who was 6 years younger, and the two also successfully computed a sweet sibling love. In this regard, Shu Qi responded positively, denied the relationship, and admitted that the two were just friends.
Shu Qi, who has been very productive in film recently, revealed that she is currently filming a fashion film in which she once again "transforms" into a new image and challenges perverted women. Shu Qi said that the character is very ugly inside.

    Movie Network: Would you envy seeing your sister Tao Lin Xilei get married?

    Shu Qi:Of course. This is inevitable, especially when you see your good sister get married, you will definitely be envious.

    Movie Network: There have been rumors recently that you are with Peng Yuyan?

   Shu Qi:Yes, we also went to the Maldives to get married before, and we will probably release this news online later. Haha, I’m kidding! In fact, I helped him (Peng Yuyan) shoot a MV before, and we were very familiar at that time. He is a very hard-working actor and singer, and he is a good friend. In fact, there are many friends in that meal, but the media likes to pick (the two of us), so I can’t help it (Shu Qi shrugged).

    Movie Network: What kind of role is the new play currently being filmed?

    Shu Qi:I’m working on a very challenging film, a fashion film, and it’s my first time working with a director I don’t know. This film is very challenging for me, it’s a perverted character, there is something about the dark side of people’s hearts, and the character is still in the secrecy stage, but she’s ugly. Now I want to try something that I haven’t acted in before.

Brigitte Lin won the Golden Horse Award in black, and Ang Lee made her laugh out loud.

Feature: Picture Channel


Image source: Ming Pao


  China News Service, December 7th, Taiwan’s film industry event "The 45th Golden Horse Awards Ceremony" was held last night in Taichung City’s Zhongshan Hall. Lin Qingxia, who has faded out of the film industry for many years, still looks good, dressed in black, and Ang Lee awarded "Taiwan Outstanding Film Worker of the Year" and "Taiwan Outstanding Film of the Year" to set off a climax.


  Lin Qingxia said: "Although I have been away from the stage for more than 10 years, there are some things that should be shared with Ang Lee, that is, no matter where we go in the world, our hearts and eyes are looking at the land of Taiwan. Because we were born in Taiwan, we will care about the people, things and movies of Taiwan."


  I used to see Lin Qingxia in a hall full of superstars, but her star light overwhelmed everyone. Now that I can present the award with her, I really have survived. "Qingxia laughed.

Editor in charge: Zhao Xuanxuan

Six questions about mobile phone traffic: where did my traffic go?

  "I went to the business hall on Saturday and found that nine out of ten were asking: Where did the traffic go?" Liu Qicheng, a well-known communication expert, lamented in a circle of friends. This is just a microcosm. According to the data of the Ministry of Industry and Information Technology, in April this year, the average mobile Internet access traffic reached 3.41GB, a year-on-year increase of 154%. Traffic consumption has long been commonplace and has become the focus of everyone’s mobile phone package. But at the same time, there are also various questions about mobile phone traffic from consumers: Why do you buy more traffic, but my traffic is getting less and less? Why do you send me so much local traffic when I don’t need it at all? There are so many set meals, why isn’t there my dish?

  1 Why do I buy more and more traffic, and my traffic is getting insufficient?

  "The original G was enough for one month, but now it is not enough for 15 days." Many people around are complaining that the mobile phone traffic is not enough, and even many people begin to question the "abnormal consumption" of mobile phone traffic. Some netizens complained on Weibo that they got up in the afternoon and ran away with 19.46GB of traffic. And this abnormal situation is not uncommon. "Stealing traffic" has become a hot word on the Internet. So who stole your traffic?

  Pei Zhiyong, the chief anti-fraud expert of 360, told the Beijing Morning Post that mobile phone traffic is indeed "running fast" now. The first reason is the change in the usage habits of mobile phone users. In the past, we mainly used text to surf the Internet on mobile phones, and the pictures were often compressed very little. Now, pictures, texts and videos are very popular, and often one picture is four or five megabytes, not to mention all kinds of small videos, which will definitely consume more traffic objectively. In particular, mobile phones are heavily used, and when they stay on social software for a long time, videos that are inadvertently clicked will be quietly downloaded to the mobile phone. Secondly, many softwares run silently in the background even if they are not opened, and even update quietly without your knowledge, which also eats up a lot of traffic. For example, he said that the child had just played Plants vs Zombies, and every time an advertisement popped up, he clicked, and as a result, he unconsciously downloaded a lot of software. There is also an abnormal situation in which illegal software steals traffic.

  Fiberhome Lab of 360 Internet Security Center has previously discovered a brush cheating Trojan named StealthBot, which adopts a self-hiding method and a mature simulation click process. Like a batch of invisible robots produced by an automatic factory assembly line, it disguises itself as a system service notification, consumes users’ data traffic through startup modes such as automatic operation and external wake-up, and can automatically update and load the latest version of malicious plug-ins in response to instructions issued by the server. Some user groups with weak security awareness and mobile phone brands with poor security have become the areas with the highest occurrence rate of StealthBot. This only exposes the tip of the iceberg where black traffic is rampant.

  In fact, the era of "not turning off 4G traffic, waking up and moving the house" has long passed. Others question that operators "steal traffic", but this statement is obviously unfounded. Fu Liang, a telecom analyst, believes that it may not be worth the loss for operators to modify the user traffic data. Assuming that operators want to "black" the user traffic, the cost required to transform the system is more than the income brought by stealing traffic.

  It has been reported that in order to verify the accuracy of traffic measurement by operators, the test results of communication traffic detection conducted by Zhejiang Quality Supervision Bureau and Zhejiang Institute of Metrology showed that SIM cards of three major operators were randomly inserted into three multi-standard wireless communication internet traffic monitors, and the same file was downloaded. The number of repeated tests was 10 times, and the deviation values of traffic detection data were all 0.1% to 0.15%. From the comparison of the test results, there is almost no difference from the traffic statistics provided by operators, so the statement that operators adjust their calculation methods to "steal traffic" is not valid.

  Why is there so much local traffic, but we can only watch the national traffic run out first?

  As a patient with severe dependence on mobile phones, Xiao Guo often travels abroad. A package she ordered has 1GB of national traffic, and the operator will also give away 3GB of local traffic. But she found that the national traffic was the first to be consumed, while the local traffic as high as 3GB could not be used. "Why can’t you take the lead in using local traffic when you are in Beijing?" Some users also ridiculed that they received a large amount of traffic from operators at the end of the month, but there was no time to use it.

  In fact, there are many people like Xiao Guo who "the national traffic is not enough and the local traffic is bursting". However, because the operator sets the priority of national traffic use, the priority of off-package gift traffic is lower than that of in-package traffic. That is to say, use the traffic in the package first, and then the traffic in the package is used up, and the donated traffic can come in handy. However, this embarrassment will soon be a thing of the past, because from July 1 ST, the roaming charges will be completely cancelled, and no distinction will be made between the province, the province/local and the whole country.

  The Beijing Morning Post reporter noticed that operators often give users a gift of traffic and often launch some promotional activities to grab traffic. However, some insiders pointed out that in fact, for the current traffic giving method, the given traffic often returns to the original road, and the user perception is not strong. Since it’s a gift, why not just be generous? Xiang Ligang, a telecom observer, pointed out that giving away traffic is more of an operator’s market strategy to attract users. However, I believe that after the cancellation of traffic roaming charges, operators may not be so "heroic".

  3 Say good unlimited package, why speed limit?

  Operators have been clamoring for "unlimited packages" recently, but it has attracted many consumers’ doubts: after exceeding 20G, they will be slowed down and returned to the 3G era, or even the 2G era, and they will be directly stopped after using more than 100G G. Netizens have complained that the Huimin package has hidden routines and operators lack sincerity.

  However, in the industry’s view, it is understandable for operators to limit the speed of unlimited traffic packages, which takes care of the choice of most 4G users to use the network fairly.

  Ceng Jianqiu, a professor at Beijing University of Posts and Telecommunications, pointed out that under the current network conditions, it is difficult for operators to achieve real traffic without capping. Due to the limited bandwidth of the mobile network, it is likely to cause network congestion if multiple users continue to occupy it at high speed at the same time. Previously, AT&T, an American telecom giant, had launched a package with unlimited traffic and speed, but the result was stopped because the network could not bear it.

  Speed limit is a popular international practice at present, with stepped design — — First, meet the maximum network speed promised by the vast majority of users. After reaching the speed limit, the network speed will drop.

  Now, if the operator really does not limit the speed, what will happen? As you can imagine, many people turn it into a WiFi hotspot for many people to use together, and then the network will be overwhelmed and the internet speed will become "turtle speed". This obviously deviates from the original intention of operators and consumers.

  4 why can’t the inexhaustible phone bill be converted into traffic?

  Consumer Mr. Li calculated an account for the Beijing Morning Post reporter. He is currently ordering a package of 158 yuan from an operator, with 6G of national traffic per month and 700 minutes of talk time. In actual use, the internet traffic is much used, and the traffic is often not enough every month, but most of the call duration is left. "Can the inexhaustible phone bill be automatically converted into traffic?"

  In fact, this conversion model has long been tried by operators. In 2016, China Telecom took the lead in raising the banner of "full flow billing".

  In September, 2016, China Telecom Shandong Branch launched a new mode of full traffic charging, which converted voice and SMS into traffic for charging, and voice and traffic can be converted freely. Among them, 1M is equal to 1 minute, and how much M traffic will be deducted for how many minutes you make a phone call, and there will be no balance of call duration in the package. At the same time, the "domestic traffic" in the package can be converted into "domestic calls". In addition, some other local companies of China Telecom have also tried the water. However, Beijing has not yet been realized.

  In addition, China Mobile also plans to pilot the unit price charging model of flow ladder in some cities.

  However, this model is not popular at present. In Xiang Ligang’s view, full flow billing is technically not difficult, but operators have invested a lot in changing the billing system. Most importantly, with the coming of 5G, the operator’s billing system may be reshaped, so the operator does not have much enthusiasm at present.

  5 why can’t I combine freely, and my package is my decision?

  As a senior mobile phone user, retired worker Lao Li’s confusion is that there are so many packages of operators that people are dazzled, but none of them are my dishes. The ideal model is that I provide the monthly consumption demand, and then the operator tailors the most suitable package.

  Obviously, the tariff that Lao Li wants is a "private subscription" model. In fact, operators have similar schemes. For example, as early as 2013, China Telecom launched a nationwide unified customer-selected tariff scheme — — Building block package. In order to help customers match "building blocks", China Telecom has provided many humanized auxiliary tools, such as flow calculator and flow application examples. The building block package consists of four "building blocks": voice, traffic, SMS and 3G applications. Customers can mix and match freely according to their own consumption needs, and change the package as needed at any time.

  China Mobile and China Unicom also have similar "building block packages", which are designed to freely match voice calls and Internet traffic. However, the space for users to choose is still limited. For example, open the client of an operator and find the package calculator, which recommends the appropriate package according to your consumption and use in recent months, but the minimum recommended voice is 18, which obviously cannot meet the needs of Lao Li’s DIY. Therefore, this service has not achieved real success and popularization in the three major operators.

  Ma Jihua, a senior telecom analyst, pointed out that after years of development, telecom operators are constantly innovating and the package system is huge, which can not only confuse customers, but even business people themselves don’t quite understand it. In this case, it is easy to cause the external performance of price opacity, giving users the feeling that they are being fooled. Packaging consumption allows users to enjoy more affordable prices than single accumulation, but many people have no demand for some additional parts and often feel forced to spend. Even if you use it for free, you still feel uncomfortable.

  6 Why do new and old users treat each other differently?

  With the deepening of speed-up and fee reduction, new mobile phone tariff schemes emerge one after another. Every season, operators will try their best to introduce new selling points to attract users. For example, campus promotion large-flow packages, such as mobile broadband bundled fusion packages. But many new packages that look beautiful are only for new users, and old users are blocked out.

  For example, the unlimited card of Beijing Mobile 68 yuan is only for new users. The most favorable unlimited traffic package that old users can choose is 98 yuan/month, which contains 150 minutes of voice and 20G of domestic traffic. After the traffic is exhausted, the speed limit of surfing the Internet is up to 1Mbps. After the accumulated traffic in the month exceeds 100G, you can continue surfing the Internet, but the speed limit is 128Kbps. Beijing Telecom’s 65 yuan Convergence Package is only for new users, and it needs to be paid for two years.

  It has been a fact for many years that there is a certain gap between operators’ care for old users. Why should new and old users be treated differently? Some operators have no choice but to complain that the market is getting saturated and the growth rate of users is slowing down, and the purpose of many promotions is to grab passengers, so the promotion is strong. However, old users enjoyed the preferential scheme at that time when they accessed the network.

  In November last year, because of the problem of old users switching to Internet packages, the Ministry of Industry and Information Technology called on telecom operators to provide convenience for old users to change packages, and not to introduce plans to restrict old users from choosing tariffs, and asked enterprises to sort out and investigate existing tariff plans. If there is any behavior that restricts users’ tariff options, it will be rectified immediately.

  Fu Liang, a telecom analyst, believes that the ideal way is to operate a user from the moment the user enters the door, so that users can feel cheaper and cheaper tariffs and better and better services, instead of attracting users with high preferential policies and then letting them go. In his view, it is still common that old packages are not upgraded or old users still need to take the initiative to apply for outdated tariffs.

  However, in the context of market saturation, "please" old users is the cornerstone of building stability. In particular, port number transfer will be fully implemented in 2020, and it is time for operators to be nice to old users.

  ■ Link

  Tips for saving mobile phone traffic

  Although the traffic charges are getting cheaper and cheaper, many small partners exclaim that the traffic charges are increasing. Especially at the end of each month, the traffic is shy. In fact, there are many tips to save traffic and prevent it from sneaking away.

  1. Download applications through formal channels.

  Applications downloaded from the third-party software market are risky, and some illegal software will steal traffic. Therefore, friends should try their best to download applications in formal channels, such as the mobile phone manufacturer’s own app store, official website, etc., so as to avoid accidentally installing traffic-brushing software.

  2. Turn off the automatic synchronization function

  Turning on the automatic synchronization function of the mobile phone will consume a lot of traffic in the background without your attention, so it is best to turn off the automatic synchronization function or choose to synchronize only under the WiFi network.

  3. Close the background running program.

  Many times when we close an application, we return to the desktop directly. If there are too many internet-connected apps in the background, when they are on standby, they may constantly refresh and access data. Therefore, it is necessary to develop the habit of closing and cleaning up the background operation of apps in time, leaving only the software that needs to be online all the time. This can also improve the running speed of the mobile phone to a certain extent. Nowadays, many mobile phones provide a shortcut to close the application with one button.

  4. Turn off the mobile data of the mobile phone

  When not surfing the Internet or using WiFi, remember to turn off the mobile phone to move data, which can fundamentally prevent the background program from consuming traffic. Especially in the environment with WiFi, although the system will give priority to WiFi, it will automatically switch to mobile data under special circumstances or when the signal is bad.

  5. Restrict the Internet connection of large customers who eat traffic.

  Apple Edition: Open Settings → Cellular mobile network can query the situation of traffic consumption, thus limiting the networking of designated applications.

  Android version: Open the security center in the mobile phone settings, and you can query the traffic consumption of each application, thus restricting the designated applications from connecting to the Internet.

  In fact, the most popular apps are several commonly used apps, which can be found in the data traffic usage of mobile phones. Generally, WeChat, QQ, browsers and game software are all big traffic users. Some measures can be taken, such as: WeChat friends circle small video opens the automatic playback setting in WiFi-only environment; Try to use compressed photos when drying photos in your circle of friends; Try to communicate in pure text, and send less emoticons, voices and short videos; Don’t click on links, short videos, photos, etc.

  6, set the daily flow limit

  It is suggested that the monthly traffic usage limit or early warning should be set in the [Security Center] in the mobile phone settings, so as to find out the abnormal traffic consumption in time.

  7. Pay attention to the application scope of directional flow.

  At present, operators and major Internet companies have launched a number of targeted packages, such as Tencent King Card swiping WeChat, watching Tencent videos and playing the glory of the king, which are free of charge. However, if you occasionally brush a Weibo and send a Tik Tok, you will have to pay an extra traffic fee. When ordering these packages, pay attention to their limited scope.

  8. Multi-operator wool

  At present, operators often launch some activities such as traffic giving, lottery, special offer, etc. on many holidays, and pay attention to official platforms such as operators’ clients, public accounts and Weibo, which are often hit by free traffic. For example, Beijing Mobile client has a regular activity of signing in to send traffic, and can get a total of 160M traffic coupons for free every month. And Beijing telecom can get a total of 300M traffic when signing in.

  Reporter Jiao Likun

Lantern Festival │ Oriental Aesthetics of Chinese Romance

[Our Festival Lantern Festival]

Yuan is the beginning. Night is night.

On February 15th, 2022,The first full moon in the lunar calendar.

Yuan midnight snack, Lantern Festival.

This romantic traditional festival in China, you just think it is the end of the Chinese New Year and the day when people taste Yuanxiao. Can you remember that it is the traditional Valentine’s Day in China, a typical Chinese romantic and heartbreaking oriental aesthetics?

Visit the temple fair with lanterns.

Suddenly looking back, the man was in the dim light.

Once again, spring returns. On the evening of January, the flower market lights like day.

After beginning of spring’s Lantern Festival, it was warm and cold, and the flowers were not in bloom. Colorful lanterns give the Lantern Festival a spring-like splendor.

The moon is high in the sky, and there are thousands of lanterns on the ground. In ancient times, girls who stayed indoors on weekdays went out to enjoy lanterns and visit temple fairs on the Lantern Festival. Lantern Festival creates an opportunity for the implicit China ancients to express their feelings, which is the romance of China people, and describes their love beautifully and tactfully.

With the development of the times and the change of years, today’s young people don’t need festivals like Lantern Festival to get married. The Lantern Festival, as a Chinese Valentine’s Day, has gradually faded away, while the romantic stories of China’s ancient people have remained in the poems that have been told through the ages.

Shiyuanxiao

The custom of eating Lantern Festival has been inherited to this day, and it is also the deepest memory of Lantern Festival engraved in the bones of China people. "There is a full moon in the sky, human reunion, and glutinous rice balls in a bowl", and glutinous rice balls (Yuanxiao) have placed China people’s good wishes for the new year. In addition to eating Yuanxiao, there are customs such as solve riddles on the lanterns, fireworks and lion dance in the traditional Lantern Festival. Very lively, prosperous and beautiful.

Yuan midnight snack, Lantern Festival.

The custom of festivals makes people reproduce the romance of the ancients.

No matter where you are, no matter when you are,

Pass on these traditions,

To continue the exquisite and charming China aesthetics in China traditional culture.

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Contributed by: Long Mengyi of Lancang County Rong Media Center Fan Li Zhao Mengyun.

Editor: Xu Qian

Editor: Xie Mengyi

Supervision and examination: Liu Jianghui

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