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Wang Jianlin： There is an L-shaped inflection point in real estate, and it will be difficult for eight to ten years

　　　　　　　　Speaker:Wang Jianlin (Founder and Chairperson of Dalian Wanda Group Inc., Ltd.)

　　　　　　　　Subject:Transformers: Creating New Commercial Value and Wanda’s Road to Transformation

　　　　　　　　Time:April 21, 2015

　　　　　　　　Host:China Entrepreneur Club

　　　　　　　　[Editor’s note]

　　　　　　　　At the "2015 China Green Company Annual Conference", Wang Jianlin said that the current trend of the real estate industry has changed. The industry has reached an inflection point. This inflection point is not V-shaped, but L-shaped. It takes a long time to balance supply and demand. Real estate will be difficult within ten or eight years.

　　　　　　　　Wang Jianlin said that Wanda is trying O2O and Internet finance because Wanda needs to transform. One of the reasons for this is to use its own transformation method to smooth the cycle of the industry.

　　　　　　　　The following is an excerpt from Wang Jianlin’s speech by The Paper (www.thepaper.cn):

　Increase user experience with O2O model

　　　　　　　　How will physical enterprises go in the future? Will they also learn from the Internet? I told the company not to be afraid, but to embrace the Internet bravely. In fact, like our industry, how to do the Internet is a new topic. We mentioned the concept of O2O, which has only been done for a year now.

　　　　　　　　First, increase the experience and stickiness of offline consumers. What does it mean to increase the experience? For example, there are now four Wanda Plaza in Shenyang, and more may be added in the future. Some consumers find that the parking spaces in the square are full after going there. Before, consumers only found that the parking spaces were full when they arrived at Wanda Plaza, and then they had to spend a lot of time queuing up. The O2O model means searching for relevant information at home, you can check if there are parking spaces, and you can even book parking spaces in advance.

　　　　　　　　However, there is a problem. This type of project that increases the experience is a money-burning project. Where is the company’s profit direction? After more than a year of exploration, we have now found a new direction, which is to move in the direction of Internet finance.

　　　　　　　　Utilize big data for internet finance

　　　　　　　　Now Wanda Commercial is changing from heavy to light. In the past, we held our own assets or paid all the rent. Now we have a lot of investors, including our internal and external investors, who are willing to invest in us, and let us be responsible for the design, construction, investment promotion, operation, and management. We will share a part of the funds.

　　　　　　　　From here, we remember that we are currently experimenting with a new wealth management product issued by one of our own Internet companies. This wealth management product is invested in Wanda Plaza, and the share of Wanda Plaza is transferred to the annual profit and rent dividend. The Internet company leaves a small part of the profit and then distributes it to investors.

　　　　　　　　In the process of studying O2O, we found that Wanda has a huge advantage, the flow of people is very large. There were 1.60 billion passengers last year, and it is expected to exceed 2 billion this year. In 2020, according to the most conservative estimate, more than 6 billion people will enter Wanda’s plazas, hotels and resorts. This is just the most conservative estimate.

　　　　　　　　According to a person once a month, there are at least 500 million active users. There may be more in the future. These resources are our customers who will issue Internet financial loans in the future. Because his consumption data may not be completely recorded in first- and second-tier cities, such as Beijing and Shanghai, but for third- and fourth-tier cities, his consumption data is very complete.

Wanda wants to become the largest card issuer in China

　　　　　　　　At present, our O2O is going in these two directions. One is to spend money to increase the experience and increase the stickiness. Second, through Internet finance, to obtain profits and increase the further expansion and development of O2O.

　　　　　　　　There is a third thing in the future. If there are enough members, two or three hundred million, or even three or five hundred million, we will issue a Wanda’s own innovation card. The name has not been decided yet.

　　　　　　　　As long as all members come to my store to spend, there is no annual fee for this innovation card, and there will be subsidies and points for using this innovation card.

　　　　　　　　This kind of innovative card costs billions of dollars a year. As for the expenses related to the use of the card, where does the money come from? We have generally signed an agreement with the pilot merchants to spend one yuan on this card. At present, all the pilot merchants have agreed, so we use a large crowdfunding method to digest it.

　　　　　　　　So in the future, our goal may be to become the largest card-issuing bank in China within five to six years. This will further stimulate support for offline O2O.

　　　　　　　　I believe that because of Wanda’s offline opening of fifty or sixty stores every year, 500 million to 1 billion increased offline data support every year, our O2O, this "Internet +", will definitely create a new model in the business.

　　　　　　　　Moreover, this "Internet +" stimulates and strengthens not the excess capacity, but the commercial consumption, cultural consumption, tourism consumption, and sports consumption that China needs to further contribute to China’s economy and explore. There is no new model of O2O "Internet +" in the world.

　"Touching the Net" is for transformation

　　　　　　　　Why should we try O2O, why should we try Internet finance? Because Wanda needs to transform. Transformation is an eternal topic, and it is impossible for any enterprise’s business model to remain unchanged. If it remains unchanged, it will disappear from the list. We see that the companies that appeared on the list 30 years ago are now less than 20%. Maybe in another 20 years, or even 50 years, there may be only ten companies left in the top 500. This change is very large and must be adapted.

　　　　　　　　In addition, Wanda needs to gain a greater competitive advantage. In the real estate field, although there are no national competitors, there are still regional competitors. Nationally speaking, in our industry, there is a saying that there is only one, no two. Through this transformation, we have gained more room for development. In several industries where we have comparative advantages, such as real estate, cultural industry, tourism industry, sports industry, etc., our goal is not only to have a certain competitive advantage, but also to exclude competitors, so that competitors cannot enter.

　　　　　　　　I also hope that Wanda’s transformation can achieve the purpose of not being affected by the economic cycle. China’s economic downturn began in 2013. Although the RRR and interest rates were cut, the economic improvement was still not particularly obvious, indicating that China’s economy is in a downward channel, and the decline has not stopped. This is the economic cycle.

The real estate industry has reached an inflection point

　　　　　　　　What will the cycle bring? It may bring a fatal blow to the cyclical industry. This industry is real estate and bulk materials, which are typical cyclical industries. For example, when real estate is selling well, it goes up when it is not easy to sell, and it enters the economic downturn cycle. No matter what, it is difficult to sell.

　　　　　　　　What is particularly uncomfortable is that the real estate industry has been in the real estate industry for so many years, in 1993, 1994, and in 2007 and 2008. At that time, it was very difficult. No matter how much the price was reduced, we did not buy it. The reason why we transformed was that we had our own ideas and used our own transformation methods to iron out the cycle of this industry.

　　　　　　　　For example, we invest in light assets, investment funds or wealth management products. Our purpose is not to be affected by the economic cycle. Whether house prices rise or fall has nothing to do with us. We don’t have to consider house prices.

　　　　　　　　The current trend of the real estate industry has changed, and the industry has reached an inflection point. This inflection point is not V-shaped, but L-shaped. It takes a long time for supply and demand to balance, and real estate will be difficult within ten or eight years.

　　　　　　　　The real estate industry can never return to the "buy is earn" situation, and the "make money while lying down" situation is over. The industry has changed, and we have made a judgment on the long-term trend. We feel that we can no longer take the path of sales to earn cash flow, and we have decisively adjusted from 2004.

　Transformation is in line with national strategic adjustment

　　　　　　　　Wanda’s transformation is also in line with the country’s strategic requirements. The whole of China is transforming and restructuring, and it is better to pay the price for the country to transform. Our country will shift to a domestic demand-based economic development model. More than 60% of the products we produce are now sold to foreign countries, and our consumption rate is 40%. Products worth 100 *******st be sold to foreigners for 60 yuan to support our development. The current consumption rate in the United States may be 85% to 90%, and in developed countries, it is basically 70% to 80%.

　　　　　　　　In the future, our production will be domestic independent consumption, and this economy will not be so dangerous. This has the voice over, and there will be no anti-dumping. If our market is large enough, all markets will be in China.

　　　　　　　　Another point is that Wanda’s transformation is accelerating investment, not in excess capacity, not in cement and steel, or even in automobiles. What we are investing in now is the service industry, which increases employment and expands domestic demand, and it is what the country needs. Investment in e-commerce is high-tech, and investment in tourism is encouraged and supported by the state.

　　　　　　　　Corporate culture determines Wanda’s transformation

　　　　　　　　Wanda’s transformation is determined by Wanda’s corporate culture. Wanda is a company that keeps tossing and turning. We are constantly changing ourselves and seeking changes, because only by constantly seeking changes, constantly looking for newer models, and longer-term cash flow can this company be safe and meet the eight words mentioned to the company more than 20 years ago, "International Wanda, a century-old enterprise".

　　　　　　　　We have worked hard to continuously find in practice. Now we believe that Wanda has been balanced with four industries, relying on and supporting each other to form a good ecosystem and ecosystem. I estimate that this company will have no problem for a while, regardless of whether I am there or not.

　　　　　　　　I hope that my greatest contribution in life will be to create a great organization, and this organization is still there.

The premiere of ＂The Whole City Alert＂, Guo Fucheng is not afraid of death and has no guard against love

Zhang Jingchu was "shown love" by Wu Jing at the scene, saying that the audience should laugh

　　　　　　　 In "The Whole City Alert", Zhang Jingchu and Wu Jing play a couple. In the play, the two call each other "old man" and "old lady". However, at the previous movie viewing, every line between Wu Jing and Zhang Jingchu will cause laughter from the audience. When questioned, Zhang Jingchu responded that the love drama between the two is easy, and the laughing scene may also be appropriate. Although Wu Jing said that he had not seen the whole film, he praised Zhang Jingchu, "Her role in the play is the image of the perfect wife in my mind, which is very good." But in life, Wu Jing said that Zhang Jingchu’s schedule was too full, and he didn’t have time to interact too much, and he looked regretful.

　　　　　　　 At the premiere, Wu Jing also specially prepared a gift for Zhang Jingchu, "There are mosquitoes in summer, I will give you mosquito repellent water to prevent heatstroke, Huoxiang Zhengqi water, if you are thirsty, drink mineral water!" The packaging of these three kinds of water also had the words "I Love You" written on it, so "thoughtful" made Zhang Jingchu very embarrassed, and also gave him the dipping water he prepared. Wu Jing, who received the gift, was overjoyed, "I saw it, and this package also has’ILove You ‘on it, which makes my heart flutter." Saying that, Wu Jing also made a knee kneel, but was helpless to be interrupted. When interviewed by the media, Zhang Jingchu also "complained" about Wu Jing, "Why didn’t you kneel down just now, then I would really marry you!" Wu Jing asked in disbelief: "Really?" Zhang Jingchu refused to answer clearly.
　

The Hangzhou drag racing perpetrator was asked to be arrested, and the charges involved were decided by the court

　　Yesterday morning, the Hangzhou Municipal Public Security Bureau held a press conference on the "May 7" traffic accident case. Zheng Xiansheng, spokesperson and executive deputy director of the Hangzhou Municipal Public Security Bureau, answered questions of general public concern and apologized to the public for the "70 yards" (ie 70 km/h) statement.

　　Zheng Xiansheng said that the alleged offender Hu Bin has been the same day by the public security organ traffic accident to the prosecution for approval.

　　The perpetrator, Hu Bin, takes full responsibility

　　Zheng Xiansheng first reported the investigation of the "May 7" traffic accident. He introduced that at about 20:08 on May 7, the perpetrator Hu Bin (male, 20 years old, a student of the Department of Physical Education of Hangzhou Normal University) drove a small car (license plate number is Zhejiang A608Z0), Kong Weiwei, and Yuan ****** respectively drove to Xicheng Square to watch a movie. While passing through the section of Nandu Dejia West District of Wener West Road, the vehicle driven by Hu Bin hit Tan Zhuo (male, 25 years old, registered at Building 9-2, No. 1 Chuangye Road, Puyan Street, Binjiang District, Hangzhou, an employee of Hangzhou Yisai Communication Company), killing Tan Zhuo. After the accident, the traffic police department of the Hangzhou Municipal Public Security Bureau found out that Hu Bin had a traffic violation of speeding, and failed to stop or slow down the pedestrians when driving through the crosswalk, which was suspected of constituting a traffic accident. On May 8, the Hangzhou Municipal Public Security Bureau executed criminal detention of Hu Bin.

　　Zheng Xiansheng said that the public security traffic police department has determined that Hu Bin took full responsibility for the accident, and the victim Tan Zhuo was not responsible.

　　Zheng Xiansheng said that on May 15, the Hangzhou Public Security Bureau asked the procuratorial organs for approval of the arrest of the alleged offender Hu Bin on suspicion of traffic accident.

　　The term "70 yards" is not rigorous and inappropriate

　　"It is not rigorous and appropriate for the police department to quote the perpetrator and his companions about 70 yards," Zheng Xiansheng said of the traffic police’s initial determination that Hu Bin’s speed was "70 yards", which caused widespread public skepticism. We apologize for the misunderstanding caused. "

　　On the question of whether Hu Bin was "drag racing", Zheng Xiansheng said that according to witness testimony, suspect confessions, video materials and identification conclusions, Hu Bin committed serious illegal speeding behavior. "For traffic violations such as drag racing and illegally modified cars on urban roads that seriously endanger people’s lives and safety, we will always insist on strict supervision and heavy punishment according to law," Zheng Xiansheng said.

　　The local police also released surveillance video of the vehicle’s trajectory. It was also revealed that the alleged offender Hu Bin clearly expressed no objection to the appraisal report of the "May 7" traffic accident case, and the family members of the victims have not yet expressed their position.

　　Secretary of the Municipal Party Committee:

　　I am responsible for the death of Tan Zhuo

　　Will be strictly investigated and dealt with with an "iron fist"

　　Yesterday, Wang Guoping, a member of the Standing Committee of the Zhejiang Provincial Party Committee and Secretary of the Hangzhou Municipal Party Committee, responded to netizens’ concerns about the "May 7" traffic accident in an online interview jointly held by Hangzhou.com and Zhejiang Online.

　　"As party secretary, I also have an unshirkable responsibility for Tan Zhuo’s tragic death," Mr. Wang said. "The party committee and municipal government will investigate and deal with this matter strictly and quickly according to the law with iron determination and iron skills, and strictly prevent such tragedies from happening again in Hangzhou."

　　Wang Guoping said that the Hangzhou Municipal Party Committee and Municipal Government have clearly requested the law enforcement departments to immediately start special project rectification actions, resolutely investigate and punish serious traffic violations such as drag racing and speeding, and severely punish the unauthorized modification and change of motor vehicle engines, exhaust pipes and other devices. (Zeng Xiangrong)

　　The police explained:

　　Whether it constitutes a crime against public safety

　　It’s up to the court to decide

　　Asked why Mr. Hu had been arrested on "suspicion of causing a traffic accident", Mr. Zheng explained: "This is mainly based on the relevant facts and evidence obtained at this stage. What kind of crime Hu Bin constitutes ultimately depends on the court’s judgment."

　　Some lawyers analyzed to reporters that whether the procuratorial organs prosecute for the crime of endangering public safety depends on whether the case meets the constituent elements of the crime. If the constituent elements of the crime of endangering public safety are met, even if the procuratorate does not prosecute the alleged offender for the crime of endangering public safety, the court will do so. (Zeng Xiangrong)

　　The sentencing of the two crimes is very different

　　Crimes against public security: sentenced to fixed-term imprisonment of not less than 10 years, life imprisonment or the death penalty.

　　Traffic accident crime: sentenced to fixed-term imprisonment of not more than 3 years or criminal detention; those who escape after a traffic accident or have other particularly bad circumstances shall be sentenced to fixed-term imprisonment of not less than 3 years but not more than 7 years; those who cause death due to escape shall be sentenced to fixed-term imprisonment of not less than 7 years.

　　Chengdu case:

　　One killed and five injured in drag racing

　　Car owner charged with "endangering public safety"

　　On the evening of April 26, Jiang Jiajun, a son of a wealthy family, was drunk and drove an unlicensed "Humvee" in a serial crash, causing one death and five injuries. The local police asked the prosecutor to approve the arrest on the grounds that Jiang Jiajun was suspected of "traffic accident", but the Chengdu High-tech District Procuratorate decided to approve the arrest of Jiang Jiajun on suspicion of "endangering public safety by dangerous methods".

　　The prosecutor described four reasons for the change: driving while intoxicated; speeding, with the speed limit of 60 kilometers per hour on the Second Ring Road, when the suspect was driving at a speed of 80 to 100 kilometers per hour; driving in a series of collisions, which caused serious consequences; and the suspect’s "crazy" behavior, which meets the criminal constitution of "endangering public safety."

　　Some legal sources say that the Chengdu drag racing case can be regarded as a model version of the Hangzhou drag racing case.

　　Event playback:

　　On May 7, Tan Zhuo, a 25-year-old graduate of Zhejiang University, was hit by a speeding Mitsubishi sports car while crossing the road in downtown Hangzhou and died due to ineffective rescue.

　　In the early morning of May 8, the incident was exposed on the Internet, and netizens went viral, conducting "human flesh searches" for the perpetrators and their parents.

　　On May 8, Cai Qi, mayor of Hangzhou, said: "This is an appalling tragedy. The city’s traffic police detachment should analyze it well and take further measures to strictly prohibit illegal speeding. The perpetrators should be severely punished according to law. Make up your mind to completely solve the problem of illegal speeding."

　　On the afternoon of May 8, the Hangzhou police, based on the confession of the perpetrator, said that the speed of the car was 70 yards, which aroused doubts among netizens.

　　On the evening of May 8, thousands of people spontaneously gathered at the scene to pay tribute to Tan Zhuo.

　　On May 9, the perpetrator, Hu Bin, was detained by the police on suspicion of causing a traffic accident.

　　On May 10, the Hangzhou Public Security Bureau said that it would handle the case fairly based on the law to ensure that the facts are clear and the evidence is conclusive.

　　On May 12, the person in charge of the Hangzhou Municipal Public Security Bureau introduced that in order to objectively, fairly and scientifically determine the speeding and vehicle modification problems involved in the accident, the public security organ has commissioned the Zhejiang Blue Arrow Product Quality Judicial Appraisal Office to conduct the appraisal.

　　On May 14, the accident appraisal report was released, and the conclusion that the speed of the vehicle was 70 yards was overturned. The speed of the accident vehicle on the road section was in the range of 84.1 km/h to 101.2 km/h, and the engine intake and exhaust system, headlights, suspension, tires and rims, and interior of the vehicle had been modified or partially modified on the basis of the original model.

　　On May 15, the Hangzhou Public Security Bureau asked the procuratorate to arrest the perpetrators and apologized for the previous 70-yard claim.

September Movie Viewing Guide ｜ Before the National Day, Guo Fucheng Gong Li Nolan’s new film is coming

1905 movie network feature August was the first full month of screenings since the theater resumed work, generating many outstanding achievements.The cumulative box office of "Qixi Festival" reached 520 million, becoming a new single-day box office high since the resumption of work; the box office of cinema chains in 2020 exceeded 5 billion; the theater resumption rate was about 88%… The Chinese mainland film market is accelerating its recovery.

The domestic cinema chain in September continued the popularity of August, and there are currently 29 movies confirmed to be set. Start and finish, and it will also ignite the box office battle of the National Day in October one day earlier."Winning the Championship" "Everything is ready, only the east wind", and domestic films can also focus on, and.

Nolan’s previous works have warmed up the market for "Creed", and the introduction films in September are piled up. Except for "Creed", most of them are small and medium-sized works.

The Japanese film "Missy Kumiya Wants Me to Confess," a biopic starring Tom Hanks, the French action film "Cold Storm" starring Jean Reno, and the Italian suspense film "Dead Men Tell No Tales" are all ready to join the fray.

In addition, the live-action version starring Liu Yifei and the classic directed by Takeshi Kitano have not officially announced the specific schedule, but they have basically aimed at September. As the mainland film market continues to improve, there will be more new films airborne in September.

"Win."

Director: Chen Kexin

Starring: Gong Li, Huang Bo, Wu Gang, Peng Yuchang, Bai Lang

Release date: September 30

Recommended index: ★ ★ ★ ★ ★

After more than 200 days of waiting, the Chinese women’s volleyball team is about to return to the throne."Winning the Championship" also fired the first shot of the National Day movie ahead of schedule, and is currently scheduled to be released on October 1Wait for 6 domestic new films to compete for the National Day box office.

The film will lead the audience into the ups and downs of the Chinese women’s volleyball team for more than 30 years, from the Chinese women’s volleyball team’s first World Cup championship to the 2008 Beijing Olympic Games, and then to the 2016 Rio Olympic Games to return to the top of the world, experiencing the fighting spirit of several generations of volleyball women.

In addition to the history of the struggle of the Chinese women’s volleyball team, the drama is also full of points: Gong Li’s "God Restoration" women’s volleyball coach Lang Ping, Lang Ping’s daughter Bai Lang plays the young Lang Ping, active women’s volleyball player Zhu Ting and others really participate, Gong Li and Huang Bo have two powerful moves, interpreting the friendship between enemies and friends.

"Winning the Championship" has long been poised to attract generations of Chinese audiences to cinemas, further contributing to the recovery and warming of the Chinese film market.

The Creed.

Director: Christopher Nolan

Starring: John David Washington, Robert Pattinson, Elizabeth Derbitsky

Release date: September 4

Recommended index: ★ ★ ★ ★ ★

From August to September, "Interstellar" + "Inception" + "Creed", Nolan’s three commercial masterpieces were screened continuously in the Chinese mainland film market, and such a historic scene must not be repeated in the future.

With the word-of-mouth ban on "Creed" lifted, it is clear that this movie will be very "brain-burning"!If Nolan’s suspense is a math problem, and you love solving puzzles, "Creed" will be even more exciting and challenging than "Inception."

The title of the film is the high concept of "time reversal", and the story style also incorporates old-fashioned spy movies. Most media comments say that they can’t understand it after watching it, but is it really that difficult?Maybe "Creed" will set off a crazy "brush wave".　

"Mai Passerby"

Director: Huang Qingxun

Starring: Guo Fucheng, Miriam Yeung, Wan Ziliang, Zhang Daming

Release date: September 17

Recommended index: ★ ★ ★ ★

What is "Mai Passerby"?They are a group of people who spend the night at a 24-hour fast food restaurant. The movie focuses on this group of homeless bottom-level marginalized groups, and is played by a group of familiar Hong Kong stars such as Guo Fucheng and Miriam Yeung.

"Mai Passerby" is based on real-life events in society, telling the story of a group of homeless people who warm each other and help each other, similar to this kind of warm "living beings" movie.

The film won 10 nominations at the 39th Hong Kong Film Awards, and its lead actor Zhang Daming also won the Best Supporting Actor Award. If you like warmth, tearjerker, Hong Kong flavor, and acting, "Mai Passerby" will be a good choice.

"The Mask Hotel."

Director: Masayuki Suzuki

Starring: Takuya Kimura, Masami Nagasawa, Yuki Hamada

Release date: September 4

Recommended index: ★ ★ ★ ☆

"Mask Hotel" is the third installment of the 25-year anniversary of Higashino’s writing, and the novel has sold well in Japan.The movie version features Takuya Kimura as a talented police officer, Kosuke Nitta. When Keigo Higashino conceived of this new hero, he was based on Takuya Kimura.

This is also Kimura Takuya’s first time playing the role of a police officer on the big screen. The film tells the story of Nitta Kosuke posing as a waiter to infiltrate the hotel and track down serial murders with Naomi Yamagishi, the hotel receptionist played by Yami Nagasawa.

Higashino Keigo’s mystery novel, Kimura Takuya and Nagasawa Masami’s partnership to solve the case, just looking at these two points, is enough to attract a lot of fans to the theater.

"A Beautiful Day in the Neighborhood"

Director: Mariel Heller

Starring: Tom Hanks, Matthew Reese

Release date: September 18

Recommended index: ★ ★ ★

"Tom Hanks."An old friend of the Chinese audience, one person can be the propaganda for an entire movie.Tom Hanks was shortlisted for several Best Supporting Actor awards in the North American awards season at the beginning of the year with "A Beautiful Day in the Neighborhood", and was eventually nominated for an Oscar, and his acting was recognized again.

The film is based on true events. Hanks plays the famous TV host Rogers, a reporter who originally wanted to expose his dark side. During the interview, he is gradually influenced by his sincerity and kindness, and a friendship story gradually unfolds.Fans of Tom Hanks and biopics should not miss it.

　"Dead Men Tell No Tales."

Directed by Stefano Mortini.

Starring: Ricardo Camacho, Liam Leone.

Release date: September 18

Recommended index: ★ ★ ★

Compared to the title of "Dead Men Tell No Tales", which would be confused with a bunch of Hollywood lousy batches, "Italian Edition" will make everyone more familiar.

The original Spanish film "Invisible Guest" once landed in domestic theaters in 2017, harvesting 172 million yuan at the box office. Douban scored as high as 8.8 points and squeezed into the top 250 list of Douban movies. It is a widely recognized suspense masterpiece, and the Chinese version of "Invisible Guest" is also in preparation.

Faced with this subsequent global suspense big IP, the Italian version copied the original movie almost exactly. If you want to follow the suspense plot to reverse, reverse, and reverse, you can go to the theater to experience it again.

"My girlfriend is a robot."

　Director: Wang Weicheng

Starring: Bao Bell, Xin Zhilei

Release date: September 11

Recommended index: ★ ★ ★

The film is based on the 2008 Japanese version of "My Robot Girlfriend," in which Ayase Haruka and Koike become Shin Chi-lei and Baobel in the Chinese version, with a stronger comedy element.Xin Zhilei plays the first day of the robot, who is tasked with saving the human Fang Yuan played by Bao Bell. The two live together in the interaction mode of "my savage girlfriend", from constantly making jokes to finally showing love.

Science fiction + love, this film is also known as "the first comedy released in China in 2020". Also, it’s been a long time since we laughed in the theater last time.Then, the comedies "My Hometown and Me" and "Home at One" will make their happy debut on National Day, presumably making us continue to laugh!

Peng Yuyan： After filming ＂Emergency Rescue＂, I don’t want to swim anymore

　　The film "Emergency Rescue" is the fourth collaboration between Lin Chaoxian and Peng Yuyan. In each previous collaboration, the two continued to challenge the limit with each other’s support. When the two first collaborated on "Guild Wars", Peng Yuyan received professional boxer training and spent three months learning Muay Thai, lock skills and Brazilian Jiu Jitsu. During the shooting, he played against professional boxers in the hope of "convincing the audience". During the second collaboration "Breaking Wind", Peng Yuyan participated in the training for four months. During the training and shooting process, he cycled more than 110,000 kilometers and circled the earth almost three times. For the third time, Lin Chaoxian and Peng Yuyan’s challenge once again rose to a new height. During filming, Lin Chaoxian was even accidentally bitten by a six-inch centipede on his ankle. Peng Yuyan was in real combat, and every action command was close to the truth. This time in "Emergency Rescue", they will challenge the "water drama" that is recognized as difficult to shoot around the world. "Emergency Rescue" is the first maritime rescue film in a Chinese film. It is based on a real maritime rescue incident. Peng Yuyan said that the director has changed from "Devil Forest" and "Exploding Forest" to "Water Monster Forest".

　　The director came to shoot as soon as he came to me

　　Q: Why did you take on the role of "Emergency Rescue"? The filming conditions were very difficult. What were your mental preparations before taking on the role?

　　Peng Yuyan: Director Lin Chaoxian came to me as soon as he found me. I know that filming a director’s play will be particularly interesting and enjoyable, and of course there will be certain challenges and difficulties. This is also the reason why I want to shoot a director’s play, so I have already prepared it, but I didn’t expect that the preparation this time was not enough. When I arrived at the scene (8 months of shooting), the difficulty level was upgraded every day, which was very challenging. Physical and mental surprises were unprecedented.

　　Q: You are playing the captain of the maritime secret service. How much do you know about the real rescue team?

　　Peng Yuyan: My name is Gao Qian in the play. He is the captain of the maritime secret service team. He is a person with great courage, experience, and a strong sense of responsibility. He has performed many tasks and saved many people.

　　Before we started filming, the director showed us some information about the rescue team members, so we will understand their lives and train with them. We are like friends. They look like ordinary people, but when they receive the mission, they look completely different. Once they went on a mission, I followed them. You can’t imagine these ordinary people hanging from the helicopter, you will feel like they are in another world. As rescue team members, they need to be extra focused to save another life, because sometimes, you have to give up something to save other people’s lives. In the water, you only have three or five minutes, and you can only save two people, but there are twenty or thirty people around, so what should you do? This is what they have to face. They have to face human tragedies every day when they go to work, and when they return home, they have to be a normal person. If they don’t have faith, they will definitely not be able to do it. This is what the director wants to talk about in this play. We have also experienced it firsthand before realizing how amazing they are.

　　The salvage team members gave the "hope of life" to others. They faced the tragedy of life. Without faith and a firm heart, they would not be able to meet and complete the task.

　　Q. Did you find it challenging to play your father for the first time in Emergency Rescue?

　　Peng Yuyan: I think it is very difficult for the director to give me this role. The director is very interesting. He knows that I am a single parent family, so playing a father, I have to spend a lot of time convincing myself that there is no father image in my life. Thank you very much to the director for giving me this role. The actor who plays my son is very smart and cute, and it is natural and great to act with him, because the child is very real, he will memorize the lines very well, and it is very natural when acting. When acting with him, I also hope to maintain this innocence and naturalness. The director and screenwriter did a lot of homework in advance to understand the lives of the rescue team members. Family is also very important to the rescue team members, which should be an important reason for them to be so brave and responsible to give. Maybe everyone thinks this is an action movie, but I think it’s actually a drama full of love.

　　Been abused in various ways,

　　Be mentally prepared every time you go into the water

　　Q: What scenes did you remember most from this shoot?

　　Peng Yuyan: There are many scenes that I have the deepest impression of, and usually the first time is the most unforgettable. Like the first time I was blown up by fire, I was blown up in a fire at 600 or 700 degrees Celsius, and I fried several times. I thought it was all right, but I was about to be blown up by water later. After the explosion, the director was very excited and said, "Eddie was finally blown up by me with water." I didn’t know that water could be used to blow people up before, but after the explosion, I was hoisted into the air for a day, and I was about to vomit. But it was also quite enjoyable, because the real shooting was hung from a helicopter at a very high altitude, so it was also very memorable. He thought that it would be fine, then he would use fire to flood, and then he would use water to flood, so this time it was a variety of experiences, basically all kinds of "abuse". This is the director’s style, he just likes to "abuse" artists. But in fact, actors can get a lot of nutrients in this process, which is also what makes us fall in love with the director, so that we can make a very unforgettable play.

　　Q: Are the safety measures in place for Emergency Rescue this time?

　　Peng Yuyan: Yes, of course, there is still a case. Although I have tried the thermal insulation clothes, the minimum fire is 300 degrees Celsius, and my whole fireproof clothes are on fire, but this is the feeling of shooting. Although I am fully armed, I am still afraid, and I can still feel my skin burning. If I shoot like this every day, I am still afraid of being suspended every day, and finally go into the water, the water temperature is 6 degrees Celsius. I didn’t think I could survive it. It’s really cold.

　　I consider myself to be the kind of actor that I am not afraid of as long as I am given the conditions to do it, but for this drama, I really have to prepare myself every day before going into the water because the water is too cold and there are chemicals in the water. There are a lot of scenes in which I need to take off my equipment. Without goggles, the chemicals will get into my eyes and my eyes will not open. Those photographers wear goggles when they go into the water. Take off the goggles and the water will get into my eyes. I can’t stand it and wash them all the time. And I soak for more than ten hours a day, maybe 15 minutes each time, because it is too cold. I have to wash my eyes every day, and in the end my eyes will keep watering and my eyes will be red. The director also feels distressed, so he will also go down with me. After filming this drama, I still don’t want to swim, and I feel that the quota for touching water this year has been exhausted.

　　Q: No serious injuries this time, right?

　　Peng Yuyan: I have drowned a few times, and one particularly impressive one was being hooked by Weiya in Mexico and then pressed under the bottom of the pool. Everyone was scared, and I couldn’t get out. I found the Weiya card that tied me in the base of the truck, and the rescue team hadn’t come to rescue me yet. I thought I would save myself first, so I looked for any tools on my body to cut the rope, but I couldn’t cut it. Later, I found the hook point and untied the rope desperately, and then came out. The director kept saying "It’s alright, it’s alright". I said to take a break, because the rope was very tight and couldn’t be pulled, so I pulled it desperately. My nails were all lifted, and my hands were cracked. The director was scared. This was the most terrifying thing.

　　Another time was also in the water. My oxygen cylinder was about to run out of air, and the spare gas cylinder could only take eight breaths. The deeper the water pressure, the more I sucked in. I had to save these eight breaths every time. Later, I took a very long shot. The rescue team had to retreat far away. When I was about to swim back, my oxygen cylinder was out of gas, and I couldn’t find a spare gas cylinder. I held my breath to find an exit. This situation often happens. I always think I can swim well, but when you are really more than ten meters underwater, it is completely different from you in the swimming pool, and we are carrying a lot of lead blocks, so I can’t float up. With the water temperature of 6 ° C, it feels like I am in the freezer.

　　Now that I think back to filming the water scene, I will be afraid. I remember that after filming those scenes, we went to dinner, and the local Mexican staff would take the initiative to greet me and praise me. Friends of our rescue team told me that the local rescue workers felt that this was not something that ordinary people could bear. Many people couldn’t believe that we Chinese actors went to shoot by ourselves, and foreign films went to that scene, and they were all stuntmen.

　　Q: Are the things you save yourself in the water the methods you learned before filming?

　　Peng Yuyan: Yes, basically. All the training was used during filming. If we hadn’t trained well in advance, we might not have dared to shoot this scene. We followed the real rescue team to go outside to rescue. The rescue process was very hard. We really experienced the fragility of life, and there was no way to imagine the power of nature. It was really scary. After filming this movie, I feel that we must cherish life.

　　Q: Apart from feeling the fragility of life, what other impact did the film have on you?

　　Peng Yuyan: Now if I take a plane, I read the rescue manual, see where the escape pod is, see the people nearby, and if something really happens, who needs help. I didn’t before, but now it becomes instinctive, and then I imagine the situation of filming at that time. I count a few elderly people, and a few are in wheelchairs. These are all things I realized after filming the movie. I can’t help but feel exaggerated. When I talk about the escape pod, I think of the past 8 months of training and the horror of saving people in the plane. I keep telling myself that if something really happened today, I could save people.

　　And director Lin Chaoxian are also teachers and friends

　　Q: This is your fourth collaboration with director Lin Chaoxian. Do you feel that his films are getting more and more difficult?

　　Peng Yuyan: If the difficulty hadn’t increased, I don’t think Lin Chaoxian would have been the director. Since I met the director, I think the most amazing thing about him is that he has not changed what he likes. He is persistent about what he likes, so when the director makes a movie with such enthusiasm, you will be infected, and then you will also think, why not do it?

　　He is very good every time, and I believe he will only get better and better. This time there are many scenes that he wants to shoot, and there are also many action scenes and emotional scenes. He has to write the characters and then go to the scene to schedule. This is what he has always loved, so I think the director is very good. And the director is more and more challenging, because every time he shoots something new, just like this underwater shot, we have never experienced it before, many of them are unknown. Only when we go to the scene to shoot can we follow the camera to the scene. After training, we have to rehearse before shooting. It is conceivable that many live situations are actually difficult to execute. We are all learning, and the director will give me a lot of confidence.

　　Q: Is there anything that makes director Lin Chaoxian different from other directors you have worked with?

　　Peng Yuyan: I think it’s fate. He appreciates me very much, and I respect him very much. Very few actors can work with the same director four times, so it’s rare. And to some extent, there is also a problem of habit. Many times, you can omit some running-in things, which is a bit like "family". I have experienced four different lives in 7 years, and these four lives are not something that ordinary people can experience.

　　Q. Do you agree with the saying "Peng Yuyan who is made of iron, Lin Chaoxian who is made of iron"?

　　Peng Yuyan: I have heard it (one of the leading actors with the most cooperation times, second only to Zhang Jiahui). When I heard this sentence before, I felt that our emotions were underestimated, as if it were only tempering, but after "Emergency Rescue", I felt that it was too accurate.

　　Because I think "Emergency Relief" is really like "grinding" and very dangerous, I have been in the mindset of giving it all up several times. If the director wasn’t Lin Chaoxian, I would definitely have doubts. In fact, when I finished filming "Operation Mekong", the director told me about this drama. At that time, I really wanted to shoot, but I felt that I needed to take a break. The director happened to have another drama at that time, so I took a break for a while.

　　I didn’t take this play because it was dangerous, but because of the subject matter and the character. The director gave me this role this time. It was much more difficult than what I had played in the past, and it was quite different from my past image. (Difficulty) Mainly in terms of emotion, I played a father, and the other was the difficulty of this profession.

　　The relationship between me and the director is more like a mentor-apprentice relationship. It is natural for the director to shoot a man’s drama and talk about the emotions between men. The director has a pretty good pattern in dealing with this very real human nature. He sees a lot of things and is very real, so I think acting in his play is an immersive experience to some extent. From MMA fighting to cycling to "Emergency Rescue", I don’t need to think about how I want to act, just experience it.

　　So I think the director and I are also teachers and friends. He thinks I should shoot whatever I should shoot at my age, so he asks me to shoot. If I haven’t reached that stage, then maybe the drama at that stage is not suitable for me. He hopes that I can grow up slowly, and to some extent, I can understand what he wants to pursue. There is a tacit understanding (mutual admiration) between each other, and I will feel that there is such a person in the film industry, which is a kind of existence that will be infected by each other. Needless to say, from what he wants to do, you can see it, so he becomes very compatible. I quite admire the director.

　　From the first time we worked together on "Guild Wars" to the present, the director and I have not changed. Luckily, I never thought that after filming "Guild Wars", I would be able to cooperate with the director so much in the future, and he may not have thought that Peng Yuyan, an actor, could still be used. The director also gives me a new thing every year or two, so I also think I am quite lucky. The director did a very good job in his field of work, and I also tried my best to play every role during my studies.

　　We will cherish the opportunity to cooperate with each other

　　Q: Have you ever had any conflicts or disagreements with the director?

　　Peng Yuyan: There will definitely be some, maybe I have some ideas on some performances, and the director also knows that I must give the actor space. On this basis, I try my best to surprise him. He may feel that the role I created is more three-dimensional than he imagined in his mind, and the director will feel that it is worth it. I have also passed the addiction I want to play, so I must believe in each other.

　　A person’s ideas are limited, and we may be infinite together. When you are willing to share your things, he will definitely share his things with you. My disagreement with the director is often that he may think enough is enough, and I want to give more. He will let me act and make me enjoy it. I think one of the advantages of filming with a director is that what he sees is always different from what others see me.

　　Q: If there is a fifth opportunity to work with a director, do you have a subject that you would like to film?

　　Peng Yuyan: In fact, we have talked about too many topics. Every time we run and chat, we will think of a theme. He will ask me what I like, and I will also ask him what he likes. Before we discussed a lot of things like racing, action, and gunfight. Usually, the director said he wanted to shoot, but I have no restrictions on his movies because I believe him.

　　Q: Are you worried that directors will have more and more choices for actors in the future?

　　Peng Yuyan: This is possible. The director has the right to choose the actors he thinks are suitable. It doesn’t mean that we must cooperate on the fifth film after cooperating on four films now, so this is very delicate. Also, I also have a choice whether to continue to cooperate with him. I think sometimes it is the magnetic field between each other. We can give each other what each other wants. We all know that this is not easy to come by. So when shooting every play, I try my best to make myself not regret it, because this is the only thing I can control. Do the best within the scope of our control, and I will gain experience and wisdom in the process, which is worth it.

　　Text/Photo by Xiao You/Tian Tian

Notice of the Sichuan Provincial People’s Government on the Appointment and Removal of Deng Chao and Other Positions

Sichuan Provincial People’s Government

Notice on the Appointment and Removal of Deng Chao and Other Positions

Chuanfu Letter [2024] No. 103

Municipal (prefecture) people’s governments, provincial government departments, and agencies directly under them:

The Sichuan Provincial People’s Government has decided to:

Appointment:

Deng Chao is the director of the Sichuan Provincial Energy Bureau;

Huang Zhi is the full-time deputy director of the Sichuan Provincial Railway and Airport Construction Office and the deputy director of the Sichuan Provincial Development and Reform Commission.

exempt:

Liang Wuhu’s position as director of the Sichuan Provincial Energy Bureau;

Deng Chao held the positions of full-time deputy director of the Sichuan Provincial Railway and Airport Construction Office and deputy director of the Sichuan Provincial Development and Reform Commission;

Huang Zhi is the full-time deputy director of the Sichuan Provincial Implementation Western Development Office (Sichuan Panxi Regional Resource Development Office).

Hereby inform.

Sichuan Provincial People’s Government

April 7, 2024

M Viewing Group Recruitment ｜＂Temporary Robbery＂ premieres, Guo Fucheng and Ren Xianqi gather together

1905 movie network news This time, the M viewing group and the 1905 film network brought you the movie premiere viewing activity. At the scene, we also invited the producer and director of the film, Mai Qiguang, actors,,,, and Zengbit (the specific personnel are subject to the actual attendance) to interact with the audience and share the behind-the-scenes shooting story.

"Temporary Robbery" tells the story of a decadent middle-aged fellow sufferers Ah Jun (Lin Jiadong, played) and Mu Ronghui (Ren Xianqi, played) who plan a robbery but are accidentally disrupted by the gangster Mei Lantian (Guo Fucheng, played). The three people who form a team accidentally get involved in a money-grabbing melee. The film focuses on the ordinary citizens and the little people at the bottom of the streets of Hong Kong, and depicts the "making a living" of ordinary people who work hard for money. Come and sign up for the movie and go to the cinema to be happy and crazy together.

[Registration Instructions] After the viewing of the movie, the selected fans need to send a topic to Weibo/Douban to share their viewing experience and complete the homework requirements.

[Registration method 1]

① Follow M Movie Viewing Group Weibo, bring #M Movie Viewing Group #topic, and comment on Weibo. Small partners will be randomly selected to participate in this event.

[Registration method 2]

① Enter the 1905 Movie Network APP [Movie Page] – [Movie Viewing Group]

② Select the movie viewing activity to enter the details page, remember to note [Weibo ID]

[Event Details]

January 14 (Sunday)

Check-in time: 16:00-16:30

Screening time: 16:30-18:07

Interactive time: 18:07-18:25

The main creator present (subject to actual attendance):

Producer: Er Dongsheng

Director: Mai Qiguang

Actors: Guo Fucheng, Ren Xianqi, Lin Jiadong, Zhang Keyi, Zengbit (specific personnel are subject to actual attendance)

Chairperson:　

Venue: Beijing Emperor Film City (Emperor Group Center Store)

Liu Yifei’s precocious photos were exposed, claiming to have a dual personality (Photos)

　　　　Liu Yifei

　　　　But in her early twenties, Liu Yifei has entered Hollywood and become one of the most high-profile new generations in the movie industry. Liu Yifei is both precocious and childish, she said, because I have a two-sided personality.

　　　　Liu Yifei sat upright in front of the mirror, ready to freshen up. Yifei’s mother sat in the corner of the room, chatting with us casually. She didn’t ask us nervously, or keep staring at us with great enthusiasm, but she was able to detect Yifei’s needs at any time.

　　　　I had forgotten that Yifei was far away from everyone’s topic and told a joke. All of a sudden, I saw Yifei’s mother and her manager smile at each other and say, "Don’t worry," and then turn to explain to us that when Sissi (Liu Yifei’s nickname) started to skin, it meant that she had relaxed.

　　　　In fact, she is not as "cold" as everyone thinks, she is just slow to heat up.

　　　　As a representative of the new generation, Liu Yifei’s journey has been a bit dramatic. Growing up in a single-parent family, her mother was Liu Xiaoli, a national first-class dancer. She went to the United States at the age of 10, and at the age of 14 or 5, with her mother’s encouragement, she went back to Beijing to apply for the film academy. She was admitted to the exam. The problem was that she couldn’t study in the first semester. First of all, she just came back not long ago, and before she even adjusted the time difference, she was asked to act in "Golden Dust Family". It was filmed for two months, and it was completed on August 25th, her birthday. Then "Tianlong Eight" also asked her to audition, and it was filmed for another half a year. Before she really understood what acting was all about, she had already become the heroine. Following that, although the works were not prolific, they all maintained a certain quality. The TV series "The Legend of Immortals and Swords", "The Condor Hero"… The movie "Love in May", "Like You Like Me", and even "King of Kung Fu", which was released some time ago and allowed her to officially enter Hollywood… At this time, Liu Yifei was only in her early twenties.

Lawyer interprets rap, B You circle war; Jay Chou loses case against NetEase

Text/Nuocheng Game Method, Zhu Junchao, Chen Jie

"Love and Deep Space" posted a reply.

Rap Circle and B You Circle Spark Controversies

On August 26, singer Peckert released a rap video, the content of which was taken from the game "Love and Deep Space". The lyrics "diss" the Otome game, which mentions "all edging and greasy, let children who are not adults play adult games". Peckert said in the release of the song that the song is only for minors who play the game and the age review system of some unscrupulous manufacturers.

That night, the official Weibo of the "Love and Deep Space" game issued a statement, claiming: "The forensic work has been completed, and the infringement and insulting behavior of Parker, whether it is the game itself, the game characters or the players, will not be tolerated or accepted, and will be pursued to the end. See you in court."

Nuocheng comments:

When insulting or defamatory content is published against a game, the game company may take the following measures to safeguard its reputation.

First of all, game companies can choose to protect their rights through litigation, or choose non-litigation channels such as complaining to the information release platform, reporting to the Cyberspace Administration of China, and sending a letter to the infringer.

Secondly, if the company wants to take litigation measures to protect its rights, it should promptly fix the account information of the infringer, the infringing content and its release time, broadcast volume, number of comments, number of forwards, etc., as well as the messages and feedback from netizens, in order to prove the existence, scope and severity of the infringement.

Furthermore, after the infringement is discovered, a statement should be issued as soon as possible to indicate the company’s position and attitude. This can not only stop the further spread of the infringement in a timely manner, but also convey the company’s determination to safeguard its own rights and interests to the infringers and players, reduce the adverse effects caused by the infringement, and appease the players’ emotions.

Finally, sort out the corresponding evidence and file a lawsuit with the court in a timely manner to safeguard their own rights and interests. In addition, by sending letters and other means, the information release platform can be required to disclose the real-name information corresponding to the infringer’s account, so that the game company can grasp the party information required for prosecution.

Jay Chou loses the lawsuit: game lottery to give away albums

Does not constitute unfair competition

Recently, Jay Chou and Jewell Music Co., Ltd. sued Guangzhou NetEase Computer Systems Co., Ltd. and other related entities (hereinafter referred to as "NetEase") in the case of 2nd-round Moderation, upholding the original judgment of the first instance.

The case originated because in July 2022, Jay Chou released his new album "The Greatest Work" after a lapse of six years, and NetEase’s "World 3" game gave Jay Chou digital albums and concert tickets in a lottery on Weibo. Jay Chou and Jewell Music Co., Ltd. sued NetEase for unfair competition.

In December 2023, the court ruled in favor of NetEase and rejected all claims including Jewell’s 2.05 million yuan claim.

The court of first instance held that:

1. "World 3" forwards the lottery to give Jay Chou’s digital album and other activities through Weibo, which is a conventional non-profit publicity method and will not mislead the public into thinking that Jay Chou has an endorsement relationship with him;

2. Making elements of Jay Chou’s new album as game props is essentially used as a redemption certificate and restricts the participation of old players. It does not have the nature of attracting new traffic and making profits, and does not constitute unfair competition.

3. The use of Jay Chou’s name in the lottery Weibo is a fair use to indicate the source of the prize, and there is no evidence to show that it caused harm to the plaintiff. The court held that the public had sufficient judgment to distinguish such interactive marketing activities from endorsement, so the behavior of "World 3" did not constitute unfair competition.

First of all, game companies can enhance the appeal of the event by mentioning giving away celebrity albums and extracting concert tickets in user feedback activities, but they need to ensure that the content of the prize promotion is clear and does not mislead the public.

For example, in this case, "World 3" made it clear that the prize was Jay Chou’s new album, rather than making the public mistake Jay Chou for its product spokesperson.

Secondly, when designing promotional activities, it is necessary to pay attention to the purpose and nature of the activities, especially when it comes to the use of third-party intellectual property or celebrity rights, and ensure that the activities are not designed to improperly use the goodwill or influence of others to attract new users and increase profits, but only as a welfare measure to reward existing users.

For example, the risk of unfair competition can be reduced by limiting the conditions for player participation, such as in this case limiting the participation of veteran players above level 20.

Sword Art Online: Swordsman in Black,

The game company was ordered to compensate players for their losses

Recently, the Beijing Internet Court has announced ten typical cases of service protection and new quality productivity, including an infringement dispute caused by the outage of online games.

The plaintiff, Cheng XX, a player of "Sword Art Online: Swordsman in Black", has two accounts for the game and has accumulated a recharge of nearly 430,000 yuan. In October 2019, the game operator issued a game outage announcement and said that it would transfer 5% of the total historical recharge of gamers to other games as compensation.

Subsequently, Cheng Moumou sued the operator to the court for economic losses and mental damages. The defendant argued that it was not at fault for suspending the game, and had compensated the players and was not liable for infringement.

After trial, the court held that virtual property such as currency and props in the game were protected by law. The defendant unilaterally stopped the game and disposed of the player’s virtual property without the consent of the player, resulting in the loss of the player’s property. He was subjectively at fault and should bear tort liability.

However, since the game virtual property involved in the case was not an item of special personal significance for the plaintiff, and the plaintiff did not suffer serious mental damage, the court rejected his claim for compensation for mental damage.

Finally, the court decided that the defendant should compensate the plaintiff about 36,000 yuan and interest according to the way to obtain the virtual property of the game and the remaining assets in the account when the game was suspended.

This case not only makes it clear that when there is no special provision in law, the tort liability of online virtual property should also apply the principle of fault liability; at the same time, it also further refines the compensation standard for infringement of online game virtual property, providing reference for the handling of similar cases.

Specifically, according to the method of acquisition and usage, online virtual property can be divided into two categories:

The first category is recharge virtual property, that is, the unused game currency and game items that the player directly obtains or exchanges after recharging through legal tender. For such virtual property, since the player has not yet enjoyed the rewards brought by the property when he suffered a loss, the game operator is obliged to return the RMB amount corresponding to the remaining virtual property.

The second category is non-recharge virtual property, that is, virtual property obtained by players during the game, such as task rewards, level drops, etc. For such virtual property, the compensation amount for the loss of virtual property should be determined as appropriate, taking into account factors such as the source and difficulty of obtaining the property, the fun generated by players in consumption, and the length of time they enjoy services.

Game grape recruitment content editor,

Jay Chou started singing, the audience was full, and the atmosphere was high, and he was visited by his mother Ye Huimei

　　 On May 24th in Beijing, Jay Chou met with fans in Beijing again with a new and upgraded version of the "Ferris Wheel" concert. This year’s Ferris Wheel concert has more gorgeous stage lighting and more perfect song arrangement. Jay Chou’s Beijing performance was full of people and the atmosphere was high, and his mother Ye Huimei’s charm was unstoppable. From Jay Chou’s first song to the works in his twelfth album, almost every song is a chorus. When Jay Chou sang "Nunchakus", a work more than ten years ago, tens of thousands of spectators in the workshop collectively sang "Hehe Hehe" in an invincible manner.